COURSE DESCRIPTION AND APPLICATION INFORMATION

Course Name Code Semester T+A+L (hour/week) Type (C / O) Local Credit ECTS
Critical Perspectives on Exhibition Making DES 526 Spring 03+00+00 Elective 3 7.5
Academic Unit: Design MA
Mode of Delivery: Face to face
Prerequisites: None
Language of Instruction: English
Level of Course Unit: Graduate
Course Coordinator: - -
Course Lecturer(s): Ayşe EREK
Course Objectives: This course is aims at examining the practices of exhibition making and its institutions from a historical and critical perspective with modes of theoretical reflection and analysis.
Course Contents: The seminars will focus on politics and practices of display, exhibition design, modes of exhibition making within institutions as well as outside of institutional structures such as alternative spaces of art in streets, off spaces, spaces initiated by collectives, and diverse modes of new forms of exhibition making engaging in contemporary debates on the historical, social, political, and ecological. The course focuses on providing space for students to develop the critical and creative skills on exhibition making, and it encourages self-research and self-practice. The students will be expected to respond to the topics with the weekly reports and projects by using alternative mediums and methodologies for maintaining a critical attitude. The course includes lectures and seminars by tutors, including visiting curators, artists, designers, critics and gallery and museum professionals and academics.
Learning Outcomes of the Course Unit (LO):
  • 1- To be able to critically explore the processes of exhibition making in cultural, historical and socio-political contexts.
  • 2- To be able to develop creative perspectives in developing new modes of exhibition making.
  • 3- To gain knowledge on the technical aspects of the production of an exhibition such as the knowledge on the technologies and materials of exhibition making.
Planned Learning Activities and Teaching Methods: The course will be organized as weekly/two weekly seminars and workshops in a variety of topics. The description, reading list, preparation and the assignments for each seminar / workshop will be announced depending on that semester’s research focus.


WEEKLY SUBJECTS AND RELATED PREPARATIONS

WeekSubjectsRelated Preperation
1 Introduction
2 Site visit: Exhibition visit followed by conversation and discussion on the exhibition Short report on reading material
3 Historical Turns in Exhibition Making Short report on reading material
4 Contemporary models and categories of Exhibiting Practices Short report on reading material
5 Studio visit Short report on a chosen artist / designer monography
6 Technological Tools on Exhibition Making Short report on studio visit
7 Processing the Material for Exhibition Making Presentation
8 Thinking Across Relational Geographies through Exhibition Making Short report on reading material
9 Contemporary Concepts on Exhibition Making Short report on reading material
10 Exhibition Design: Site specificity and Exhibition Making Short report on reading material
11 Exhibition Design: Lightning Design Short report on reading material
12 Exhibition Management: Issues of Budgeting, Art directorship, Publication / Catalogue, Public Relations, Communication Design Short report on reading material
13 Non-Institutional Forms of Exhibition Making Short report on reading material
14 Virtual Spaces of Exhibition Making Short report on reading material


REQUIRED AND RECOMMENDED READING

Altshuler, B. (1998). The Avant-Garde in Exhibition: New Art in the 20th Century.
Hoffmann, J., Glass, L., & Myers-Szupinska, J. (2017). The Exhibitionist 100 Years of Exhibitionism Journal on Exhibition Making / The First Six Years.
Szacka, L. (2019). Biennials/Triennials Conversations on the Geography of Itinerant Display. Columbia Books on Architecture and the City.


OTHER COURSE RESOURCES

Online resources, museum and exhibition catalogues, artist websites


ASSESSMENT METHODS AND CRITERIA

Semester RequirementsNumberPercentage of Grade (%)
Practice / Exercise 8 20
Project 1 20
Presentation / Jury 2 40
Final Exam 1 20
Total: 12 100


WORKLOAD

EventsCountDuration (Hours)Total Workload (hour)
Course Hours16348
Practice / Exercise12336
Project2510
Preparation for Presentation / Jury2714
Other Practices (seminar,studio critics,workshop, etc.)248
Extra-Class Activities (reading,individiual work, etc.)14342
Midterms / Oral Exams / Quizes113.513.5
Final Exam11616
Total Workload (hour):187.5


THE RELATIONSHIP BETWEEN COURSE LEARNING OUTCOMES (LO) AND PROGRAM QUALIFICATIONS (PQ)

# PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9
LO1 3           2    
LO2   3         2    
LO3 3     2