COURSE DESCRIPTION AND APPLICATION INFORMATION

Course Name Code Semester T+A+L (hour/week) Type (C / O) Local Credit ECTS
Musical Traditions in Context: Anatolia and Beyond KHAS 1418 Spring 03+00+00 Elective 3 5
Academic Unit: Core Program
Mode of Delivery: Face to face
Prerequisites: None
Language of Instruction: English
Level of Course Unit: Undergraduate
Course Coordinator: - -
Course Lecturer(s): Sarah Elizabeth Atkinson
Course Objectives: By the end of the course, students will have
1) Reflected deeply and critically about the meanings and values of music in their lives, their communities, and the world,
2) Learned about various musical traditions,
3) Gained an enhanced awareness of the interactions between musical cultures, globalization, commercialization, the threats and benefits to musical traditions, and the need to protect them,
4) Used a wide range of research tools,
5) developed written and oral English and design skills,
6) Developed skills for working individually and collaboratively on projects,
7) Collaboratively produced an informative blog showcasing their work.
Course Contents: This course is an introductory exploration of the concepts of ethnomusicology and musical anthropology, investigated through the lens of students’ own musical heritage and interests, focusing on the intersecting musical traditions of Eastern Europe, Western Asia, and the Caucasus.
Learning Outcomes of the Course Unit (LO):
  • 1- Reflect on the meanings and values of music in their lives. Think critically about musical meaning and traditions—how music is used in our lives, how it has been used in the past;
  • 2- Explore musical traditions, how they interact and influence each other, in historical, sociocultural, and political contexts;
  • 3- Appreciate of their own musical heritage and learn through sharing others’ experinecs and findings; deepen their knowledge about cultural heritage revival, the threats and challenges facing cultural continuity of musical traditions; understand and appreciate the need to protect and promote multicultural values in a democratic society.
  • 4- Conduct research from a broad range of sources including academic texts, web resources, interview, audio and video archives, live performances;
  • 5- Synthesize findings, express themselves in written and oral presentation; work collaboratively and indivdually, design and publish course blog.
Planned Learning Activities and Teaching Methods: Teaching: Lecture and discussion—3 hours per week
Learning: Synchronous and asynchronous tasks—reading, writing, research, individual and group work


WEEKLY SUBJECTS AND RELATED PREPARATIONS

WeekSubjectsRelated Preperation
1 Introduction to Ethnomusicology, Thinking musically -
2 Music: its uses and its meanings Readings, in-class discussion, online forum
3 Delving into personal heritage Readings, in-class discussion, online forum
4 Globalization: threats and benefits to musical traditions Readings, in-class discussion, online forum
5 Mini research presentations Research, slide preparation, presentation
6 Soundcapes—sound and music in our environment and community Asynchronous task, written reflection, online forum
7 Feedback for research projects Outline for major projects
8 Case studies in ethnomusicology I Readings, research, online forum
9 Case studies in ethnomusicology II Readings, in-class discussion, online forum
10 Discovering connections between musical traditions across geographies Readings, in-class discussion, online forum
11 Discovering connections between musical traditions across time Readings, in-class discussion, online forum
12 Project Presentations and Peer Feedback I Group presentations—essay, slides, audio/video
13 Project Presentations and Peer Feedback II Group presentations—essay, slides, audio/video
14 Recap: Launch of Course Blog, Speculations about the Future of Musical traditions in a Changing World Preparation of blog for publication


REQUIRED AND RECOMMENDED READING

Required reading: excerpts from Thinking Musically by Bonnie C. Wade, Musicking by Christopher Small and additional academic and non-academic texts, video and audio music performance archives


OTHER COURSE RESOURCES

Readings, video and audio archives, live concerts, interviews


ASSESSMENT METHODS AND CRITERIA

Semester RequirementsNumberPercentage of Grade (%)
Attendance / Participation 14 25
Homework Assignments 2 25
Midterms / Oral Exams / Quizes 2 10
Final Exam 1 40
Total: 19 100


WORKLOAD

EventsCountDuration (Hours)Total Workload (hour)
Course Hours14342
Homework Assigments2510
Extra-Class Activities (reading,individiual work, etc.)10440
Final Exam13030
Presentation133
Total Workload (hour):125


THE RELATIONSHIP BETWEEN COURSE LEARNING OUTCOMES (LO) AND PROGRAM QUALIFICATIONS (PQ)

# PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9 PQ10
LO1                    
LO2                    
LO3                    
LO4                    
LO5