COURSE DESCRIPTION AND APPLICATION INFORMATION

Course Name Code Semester T+A+L (hour/week) Type (C / O) Local Credit ECTS
Philosophy of Art KHAS 1456 Spring 03+00+00 Elective 3 5
Academic Unit: Department of Common Courses – Core Program
Mode of Delivery: Face to face
Prerequisites: None
Language of Instruction: English
Level of Course Unit: Undergraduate
Course Coordinator: - -
Course Objectives: Going through themes such as beauty, aesthetic judgment, representational regimes, and the relationship between art and politics, this course aims to make students think about art’s role and usage in our everyday lives and to concentrate on the historical development of aesthetic thought as one of the sub-disciplines of philosophy. The topics that will be discussed in class are the followings: Art as representation, art as form, art as relation, art as memory and art as expression.
Course Contents: From Antiquity to the present day, this course examines various approaches to art and aesthetics formulated by different philosophers. Students will read primary and secondary texts by/on Aristotle, Hume, Kant, Hegel, Benjamin, Adorno, and Ranciere as well as watch short videos and documentaries on the topics relevant for philosophy of art.
Learning Outcomes of the Course Unit (LO):
  • 1- Become competent in main discussions and turning points in the history of aesthetics.
  • 2- Gain a philosophical point of view on concepts such as beauty, sublime, and aesthetic judgment.
  • 3- Commenting on actual artworks in each class, obtain the ability to apply their philosophical knowledge to practice.
  • 4- Connect aesthetics to other sub-disciplines of philosophy, such as ontology, epistemology, and ethics.
  • 5- Become competent in writing and developing arguments on the philosophy of art.
Planned Learning Activities and Teaching Methods: Lectures & Writing-Discussion Sessions ● 60-90 min. of lectures per week ● 90 min of discussion and group work per week Reading and Writing Sessions ● Reading and writing tasks completed individually and in groups ● 1. Summary and response paragraphs, 2. Poster Presentation 3. In-class assignment


WEEKLY SUBJECTS AND RELATED PREPARATIONS

WeekSubjectsRelated Preperation
1 Orientation, syllabus overview and introduction
2 What is philosophy of art? Branches of philosophy and aesthetics Reading the assigned article, preparing for the in-class writing activity
3 Art as representation: Plato & Aristotle Reading the assigned article, preparing for the in-class writing activity
4 Standard of taste: Hume Reading the assigned article, preparing for the in-class writing activity
5 Aesthetic judgement I: Kant Reading the assigned article, preparing for the in-class writing activity
6 Aesthetic judgement II: Kant Reading the assigned article, preparing for the in-class writing activity
7 Poster presentations Preparing a poster presentation
8 Art as reproduction: W. Benjamin Documentary: TBA Reading the assigned article, preparing for the in-class writing activity
9 Art as form: Adorno Reading the assigned article, preparing for the in-class writing activity
10 Art as everyday life I: J. Ranciere Reading the assigned article, preparing for the in-class writing activity
11 Art as everyday life II: J. Ranciere Reading the assigned article, preparing for the in-class writing activity
12 Ways of Seeing: J. Berger Documentary: Ways of Seeing Episode 1 Reading the assigned article, preparing for the in-class writing activity
13 Looking at others through art: Susan Sontag Movie: Finding Vivan Maier Reading the assigned article, preparing for the in-class writing activity
14 Final In-class assignment Preparing for the final assignment


REQUIRED AND RECOMMENDED READING

Benjamin, W. (1935). The Work of Art in the Age of Mechanical Reproduction, 1936.

Berger, J. (2018). Ways of seeing. In Living with Contradictions (pp. 189-198). Routledge.

Cahn, S. M., & Meskin, A. (Eds.). 2022. Aesthetics: A Comprehensive Anthology. Oxford University Press. (excerpts)

Carroll, N. (2012). Philosophy of art: A contemporary introduction. Routledge. (excerpts)

Parsons, S. (2009). Sontag's Lament: Emotion, Ethics, and Photography. Photography and Culture, 2(3), 289-302.

Rancière, J. (2007). The emancipated spectator (pp. 271-280). London: Verso Books.

Sachs, J. (Translator). (2023). Introdcution in Aristotle's Poetics. Focus Publishing/R. Pullins Co.

Tolstoy, L. (2023). What is art?. BoD-Books on Demand.


OTHER COURSE RESOURCES

Movie: Finding Vivan Maier
Documentary: Ways of Seeing Episode 1
Documentary: TBA


ASSESSMENT METHODS AND CRITERIA

Semester RequirementsNumberPercentage of Grade (%)
Attendance / Participation 1 20
Homework Assignments 8 20
Midterms / Oral Exams / Quizes 1 20
Final Exam 2 40
Total: 12 100


WORKLOAD

EventsCountDuration (Hours)Total Workload (hour)
Course Hours14342
Practice / Exercise12112
Extra-Class Activities (reading,individiual work, etc.)12336
Midterms / Oral Exams / Quizes11515
Final Exam21020
Total Workload (hour):125


THE RELATIONSHIP BETWEEN COURSE LEARNING OUTCOMES (LO) AND PROGRAM QUALIFICATIONS (PQ)

# PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9 PQ10 PQ11 PQ12
LO1                        
LO2                        
LO3                        
LO4                        
LO5