COURSE DESCRIPTION AND APPLICATION INFORMATION

Course Name Code Semester T+A+L (hour/week) Type (C / O) Local Credit ECTS
Performative Research as a Knowledge-Based Decision Making Tool DES 544 Fall-Spring 03+00+00 Elective 3 7.5
Academic Unit: Art and Design
Mode of Delivery: Face to face
Prerequisites: none
Language of Instruction: English
Level of Course Unit: Graduate
Course Coordinator: Ayşe EREK & İnci EVİNER
Course Lecturer(s): İnci EVİNER
Course Objectives: The aim of the course is to deal with art as knowledge production and the experience field for producing creative and critical ideas and learning use and awareness of opportunity for artistic thinking,expressing one’s opinions, visual perception,performative research possibilities, and imaginative thinking with the use of multi-disiplinary artistic tools in practice. Contemporary Art serves as a significant resource for students to extend the visual,bodily and sensual capacity to express themselves and to understand how things operate in life.
Course Contents: The course involves learning and creating in the process through performative practices. Students study playing and researching with notions such as time,space, and movement. The major topics and concepts are creating space as a stage, playing with words, socially engaged artistic practices, identity problem within reiteration and the use of quotations, appropriation and French feminist theory of performance artists works, whether Dada is still alive, the Activist body in the public and Social body in the living room, performative writings, and performative readings.
Learning Outcomes of the Course Unit (LO):
  • 1- to multipurpose use of space
  • 2- to use one’s intellectual knowledge with the dynamics of life and politics
  • 3- to think with multiple aspects of issues with possibilities of multiple disciplines
  • 4- to extend critical understanding
  • 5- to expand knowledge in visual and theoretical work
  • 6- to develop methodologies for transformation of original ideas into creative works.
  • 7- to gain insight
  • 8- to learn how things conceptualize and contextualize
  • 9- to explore novel fields of artistic research
Planned Learning Activities and Teaching Methods: -Lecture supported by images -Discussion -Presentation in any form such as performative reading,performance,performative lectures. - museums and exhibitions visits -searching in public space -visit to an artist studio - collaboration with other fields such as theater, sociology, philosophy, literature, science etc.... -Projects of any sort which are related to issues involving any media which can include creative writing and drawings as well as cross-disciplinary forms-graphic novel,performance,sound piece,digital piece,in a broader sense of new media


WEEKLY SUBJECTS AND RELATED PREPARATIONS

WeekSubjectsRelated Preperation
1 Introducing to the course Examining the syllabus
2 The differences of Performance and performative,what is the artistic research and scientific research. Reading,A Performative Paradigm for the Creative Arts,Barbara Bolt
3 ’Victory over the sun’’ and activist movement in the Street
4 Performative readings from two different writers’ articles Reading,Dreaming by the book,Elaine Scarry
5 Artistic photograph and journalism Martha Rosler,John Baldessari,Gerhard Richter
6 Acting in the bus, fitness center,school,kitchen Vito Acconci,Group Meterial,Adrian Pipper,Sophie Calle
7 Dada and Daily life and art Reading,George Brecht Chance Imagery 1957
8 Searching given artistic Works Searching Contanporary artists
9 studio Reading,Henri Lefebvre, Social Space,1974
10 studio Multi-diciplinary tools
11 studio Multi-diciplinary tools
12 studio
13 presentation
14 presentation


REQUIRED AND RECOMMENDED READING

Required Reading
Jacques Ranciére,Özgürleşen Seyirci,Le Spectateur émancipé,çev,E. Burak Şaman,Metis,2008,
Alain Badiou,Başka bir Estetik, Petit Manuel d’inesthétique,çev. Aziz Ufuk Kılıç,Metis,2009
Jacques Ranciére,Estetiğin Huzursuzluğu,Malaise dans I’esthétique,çev,Aziz Ufuk Kılış,İletişim,2012
Barbara Bolt,Yeni bir bakışla,Heıdegger,Heidegger Reframed:Interpreting Key Thinkers fort he Arts,Çev,Murat Özbank,Kolektif 2012
Documents of Conemporary Art,Whitechapel Gallery,MIT Press,Appropriation,The Archive,Chance,Particippation.London
Giorgio Agamben,Açıklık,İnsan ve Hayvan,L’aperto-L’upmo e I’animale,çev.Meryem Mine Çilingiroğlu,YKY,2009
Art Now,edited by Hans Werner Holzwarth,Taschen
Elaine Scarry,Kitapla Hayal Etmek,Dreaming by the book,çev,Bülent O. Doğan,Metis Eleştiri,2006


OTHER COURSE RESOURCES



ASSESSMENT METHODS AND CRITERIA

Semester RequirementsNumberPercentage of Grade (%)
Attendance / Participation 1 10
Project 1 30
Extra-Class Activities (reading, individual study etc.) 1 10
Final Exam 1 50
Total: 4 100


WORKLOAD

EventsCountDuration (Hours)Total Workload (hour)
Course Hours14342
Field Work2612
Project21224
Preparation for Presentation / Jury11010
Extra-Class Activities (reading,individiual work, etc.)20240
Midterms / Oral Exams / Quizes3824
Final Exam12525
Total Workload (hour):177


THE RELATIONSHIP BETWEEN COURSE LEARNING OUTCOMES (LO) AND PROGRAM QUALIFICATIONS (PQ)

# PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9
LO1                  
LO2                  
LO3                  
LO4                  
LO5                  
LO6                  
LO7                  
LO8                  
LO9